These software were also used to compose music, see mazzola’s homepage , and go to CV there. Best, Guerino. Guerino Mazzola (born ) is a Swiss mathematician, musicologist, jazz pianist as well as The Topos of Music, Geometric Logic of Concepts, Theory, and Performance. Birkhäuser () ISBN Perspectives in Mathematical. PDF | On Sep 1, , Guerino Mazzola and others published The Topos of Music: Geometric Logic of Concepts, Theory, and Performance.

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Account Options Sign in. The presentation of the matter in particular in the book “Topos of Music” does not closely follow the standard of algebra, whence I surmise that Mr. The author explains the theory’s conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives. Man kann einen jeden BegrifJ, einen jeden Titel, darunter viele Erkenntnisse gehoren, einen logischen Ort nennen.

David rated it liked it May 31, Wqe23 marked it as to-read Nov 10, Jens marked it as to-read Aug 09, Overige kenmerken Extra groot lettertype Nee.


User Review – Flag as inappropriate A beautiful book. What is Music About? Thanks for telling us about the problem. Sign up or log in Sign up using Google.

What is Mazzola’s “Topos of Music” about? – Mathematics Stack Exchange

Nomegor marked it as to-read Jan 20, Vertaling Originele taal de. Albeit the author Guerino Mazzola lists 17 contributors and 2 collaborators, the book should be characterized as ths monograph.

Melodic Variation by Arrows. The conceptual basis has been vastly generalized to topos-theoretic foundations, including a corresponding thoroughly geometric musical logic.

The Topos of Music: Geometric Logic of Concepts, Theory, and Performance [With CDROM]

Immanuel Kant [, p. This field uses techniques of algebraic geometry and statistics, approaches which have already produced significant results in the understanding of highest-ranked human performances.

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Topologies for Gurrino and Motives. On the one hand, it provides a mathematical anchor, which is programmatic for the entire approach: The book’s formal language and models are currently being used by leading researchers in Europe and Northern America and have become a foundation of music software design.

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A pompous and confused application of category theory to music. On the other hand, fundamentals are both fun and important; fun because you get to see how things unravel from psychological and philosophical roots into a rich formal system; important because where you begin limits where you can end up.


Guerino Mazzola

Samenvatting Man kann einen jeden BegrifJ, einen jeden Titel, darunter viele Erkenntnisse gehoren, einen logischen Ort nennen. The Paradigmatic Discourse on presto.

The math is advanced, and so is the obscurity of the encyclopedic and voluminous prose. O’Hara Consuming Music TogetherThe Topos of Music: Table of contents Preface to the Second Edition. Bekijk de hele lijst. Post Your Answer Discard By clicking “Post Your Answer”, you acknowledge that you have read our updated terms of serviceprivacy policy and cookie policyand that your continued use of the website is subject to these policies.